From the eclectic vibe of my studio filled with reclaimed wood and upcycled fashion, I sit down to pen my thoughts on 'The Brutalist,' a film that's been shaking the cinematic landscape. As an artist who thrives on authenticity, this film's making process intrigued me.
Artists are often seen as free spirits, uninhibited in their creation process. However, 'The Brutalist' paints a different narrative. It's not just about the artist’s freedom but the freedom within the system that pulls the strings.
"The Brutalist" is about the story of Laszlo Toth, an architect and survivor of the Holocaust, who is played by Adrien Brody in the moview.
The phrase "They want to own the artist" resonates deeply, seeming to echo off the walls of my own studio. It raises questions about the nature of art, its ownership, and the struggle of artists within the structure of society.
The making of 'The Brutalist' has implications far beyond the silver screen. It's about the commodification of art and artists, a trend that has been growing steadily. The long-term changes could be paradigm-shifting, prompting us to rethink the way we perceive and value art and its creators. Will this lead to more films that challenge the status quo, or will it push artists further into the shadows of conformity? Only time will reveal.
As a creator myself, I feel a deep connection with the characters in 'The Brutalist'. It's like watching a silent movie of my own life, a cosmic echo of my experiences. I see parallels between the film's narrative and my journey of leaving a conventional career to pursue my creative passions.
Despite the loneliness that sometimes envelops me when I watch life unfold like a cinematic reel, there's a certain beauty in it too. It makes me question my identity, my art, and my place in the world. This film, in its architectural narrative structure, has mirrored my doubts and hopes, making the viewing experience cathartic.
In conclusion, 'The Brutalist' serves as a stark reminder of the tug-of-war between artistic freedom and societal expectations. It is not just a movie but a movement, a call to action for artists around the world to reclaim their art and identity.
The fascination with films that explore the human condition, just like 'The Brutalist', is a journey I continue to embark upon, one screening at a time. Perhaps, in the future, I might have the chance to invest in such a project, watching it evolve on the big screen, just like 'The Brutalist' has, in its own brutal, beautiful way.
Picture credit: CC BY-SA 3.0, via Wikimedia Commons
