Algorithms in Hollywood: Emily Blunt Questions Their Role in Determining Success
ConnectednessArticle02 May, 2024

Algorithms in Hollywood: Emily Blunt Questions Their Role in Determining Success

Algorithms in Hollywood adding to the dysfunction of the industry moving it away from creativity. How Emily Blunt and Ryan Gosling feel about algorithms in Hollywood.

Emily Blunt, the talented Oscar-nominated actress, recently voiced her frustration with the influence of algorithms in decision-making processes within the film industry. As she prepares for the release of her upcoming movie "The Fall Guy," she sat down with co-star Ryan Gosling for a cover story in Vanity Fair Italy. In the interview, Blunt expressed her disdain for algorithms and their impact on art and content.

"I hate that fucking word, excuse the expletive! How can it be associated with art and content? How can we let it determine what will be successful and what will not?" Blunt passionately stated.

Blunt particularly highlighted Christopher Nolan's film "Oppenheimer" as an example of a project that might not have been approved by algorithms or data-driven practices. With an R rating and a three-hour runtime with no action scenes, it was a risk that algorithms may have advised against. Yet, the film went on to become the highest-grossing biographical drama in history, surpassing $960 million at the worldwide box office.

Blunt elaborated on her frustration, saying, "My hope is that 'Oppenheimer' and similar projects are not considered anomalies, that we stop translating creative experience into diagrams."

Gosling chimed in, adding, "You can't beat an algorithm at its job. And this, paradoxically, forces me to be more human, to choose 'handmade' projects like 'The Fall Guy,' which is based on personal experiences, our footprints, and our stories that we poured into the characters."

These statements bring up an important debate about the role algorithms should play in Hollywood. While they are undoubtedly valuable tools for market analysis and predicting trends, it is crucial not to rely solely on their recommendations. The unpredictable nature of art and audience preferences means that certain films, like "Oppenheimer," can exceed expectations.

As someone aspiring to be a producer in the film industry, I can empathize with Blunt's concerns. The pressure to conform to what algorithms suggest as marketable can stifle creativity and limit the potential for groundbreaking projects. It is essential to prioritize passion and artistic vision over strictly data-driven decision-making.

Blunt's comments shed light on the audience's desire to be surprised and experience something new, something they didn't even know they wanted. This innate thirst for novelty and originality is what has always driven success in theatrical films. It's a reminder that creativity should be at the forefront of the industry, rather than a slave to algorithms.

The interview also serves as a reminder that algorithms are not infallible. Director Brian Helgeland shared a similar experience, revealing that an algorithm likely killed the chance of making a sequel to his film "A Knight's Tale." Despite the movie's growing popularity over the years, algorithms indicated that a sequel would not be successful. This highlights the limitations and potential bias of algorithms, as they may not accurately capture the nuances and evolutions of audience taste.

As we navigate the rapidly evolving landscape of the film industry, it is crucial to strike a balance between leveraging data insights and fostering artistic innovation. Algorithms can certainly offer guidance, but they should not be the sole decision-makers. The success of films like "Oppenheimer" is a testament to the power of taking risks and trusting in the artistic process.

In the end, it is the ability to surprise and captivate audiences with something new that drives the movie business forward. Let's continue to celebrate and support projects that challenge conventional norms and push the boundaries of creativity, regardless of what the algorithms may say.

Note: This post reflects my personal opinion and observations as an aspiring producer in the film industry. I am inspired by Emily Blunt's perspective on algorithms and their impact on creativity.

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Commented 02 May, 2024

In the first place, Japanese young people do not watch movies anymore. They fast-forward and watch only interesting scenes. For example, in Howard Hawks' 1964 film "Man's Favorite Sport?", they watch only the scene where Rock Hudson on his scooter collides with a bear and the bear rides off on his scooter.

The "movie" is already a niche, so this is not the kind of thing that will be a hit. Basically, a "movie" is not a blockbuster product. The niche audience is a niche audience that naturally appears in the market. A "movie" is valuable because it is a niche, and people will watch it because of that niche. As for the algorithm, therefore, Hollywood has been using the wrong idea from the beginning.

Niche audiences want "our cinema".


Replied 02 May, 2024

Japanese young people do not watch movies anymore. They fast-forward and watch only interesting scenes. For example, in Howard Hawks' 1964 film "Man's Favorite Sport?", they watch only the scene where Rock Hudson on his scooter collides with a bear and the bear rides off on his scooter.

Thats the funniest thing I've heard today. šŸ˜šŸ˜‚šŸ¤£


Replied 03 May, 2024

I've screened the film, and in fact, the only thing the audience talked about in their comments to me was that scene. LOL!


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